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CommunicationWebsiteFestival2022 – ongoing

Treviso International Saxophone Festival: a ribbon that changes shape every edition

The communication plan for the first edition, in 2022, and the festival website, updated edition after edition up to the fifth.

The 2022 Treviso International Saxophone Festival poster on a wall: white ribbon and gold shapes on black, 6–10 July 2022

In short

Treviso International Saxophone Festival is a festival of masterclasses, concerts and exhibitions devoted to the saxophone, founded in Treviso, Italy, in 2022 under the artistic direction of Luis Lanzarini. Opificio Lamantini Anonimi handled the communication plan for the first edition and builds the trevisosaxophonefestival.com website, updated every edition up to the fifth, in 2026.

Project facts

Client
Treviso International Saxophone Festival, artistic direction Luis Lanzarini
Location
Treviso, Italy
Sector
Culture, music, festivals
Editions
1st in 2022, 5th in 2026
Period
Since 2022 – ongoing
Services
Communication plan for the first edition (posters, totems, programme, invitations, tickets, merchandise, social media), website and update for every edition

Summer 2022. A new festival arrives in Treviso, devoted to a single instrument. It has no audience yet: it has five days and a whole city to fill. We started from a ribbon with a name written on it. Then we set it moving: on walls, on totems, on wrists, on screens.

The starting point

Where was the Treviso International Saxophone Festival starting from?

From zero. A first edition, five days in July, Italian and international teachers, guests, exhibitors, concerts in the city’s historic venues. The website introduced it like this: after ten years of the festival in Pontebba, a new chance for enthusiasts, scholars, teachers and students to go deeper and share.

2022the first edition, 6 to 10 July
7free concerts on the 2024 programme
9venues around the city in 2026
5ththe 2026 edition, 2 to 6 September
The 2022 visual: the white ribbon with the festival name draws a saxophone among gold shapes on black
The 2022 poster and the folded programme on a display stand

The first edition visual and, on the right, the poster with the programme.

The ribbon · 2022

How do you make a festival recognisable before it exists?

With a single sign. The festival name runs along a white ribbon and draws a saxophone. Around it, gold shapes on black, like molten brass.

Treviso International Saxophone Festival is a long name. On the ribbon that is not a problem: the longer it is, the more the ribbon turns. The curve of the mouthpiece, the body, the bell. The instrument is there, but nobody drew it.

Just two colours, black and gold. The gold has the grain of a brushstroke, like a saxophone’s metal under stage lights. The black leaves room for the ribbon.

The sign holds up to any crop. Tight on a detail it becomes a post, stretched vertically it becomes a story. On the festival’s Instagram profile the squares come back together into a single image.

The 2022 visual in portrait: the first edition ribbon and a gold pour on black
The 2022 visual in portrait: the ribbon tight on the festival name among gold shapes

The visual in portrait, for stories.

One sign, many crops

Details of the 2022 visual · scroll →
The first edition ribbon: the words 1st edition and the festival name drawing a saxophoneDetail of the 2022 visual: the ribbon with the words Treviso Saxophone curving around a gold shapeDetail of the 2022 visual: the white ribbon with the words International Festival among the gold shapesDetail of the 2022 visual: a gold pour on a black background
The festival’s Instagram profile on a phone, with the grid of posts rebuilding the visual
Round gold sticker with the ribbon and the festival name

The communication plan · 6–10 July 2022

What does a festival need at its first edition?

Everything that goes out on the street and into people’s hands. The same ribbon, at every scale: from the poster to the wristband.

The poster puts everything on one page: dates, teachers, guests, programme, patrons. The totem takes it into the square. The folded programme puts it in your pocket.

For the opening concert, Wednesday 6 July in the Salone dei 300 on Piazza dei Signori, there is a real invitation: card, black envelope, gold sticker. Then numbered tickets and wristbands, first edition T-shirts, tote bags, stickers.

A festival, small or large, is recognised by how consistent it is. Here every piece speaks with the same voice.

The 2022 poster on a wall, with a passer-by
Festival totem in a park, with the 2022 visual and programme
Two black tote bags with the festival ribbon, in white and in gold
Black T-shirts with the white ribbon, the words 1st edition and 2022

Poster, totem, tote bags and T-shirts from the first edition.

The invitation

Opening concert, 6 July 2022 · scroll →
The invitation to the 2022 opening concert next to the black envelopes with the festival’s gold stickerThe invitation to the opening concert: Wednesday 6 July, 9 pm, Salone dei 300 in Piazza dei Signori, TrevisoBlack envelope with the festival’s round gold sticker and the organising association’s contact detailsThe back of the 2022 programme with the concert calendar and the logos of patrons and partners

Tickets and wristbands

Numbered, in white, black and gold
Festival wristbands and tickets fanned out, in white, black and gold
Festival wristbands in white and gold with the ribbon and the festival name
Numbered ticket with a zigzag pattern and the festival ribbon
Black wristband with the festival name in white and the gold shapes

A number per edition · 2024 – 2026

How does a festival stay recognisable when it changes every year?

The ribbon stays. The shape, the colour and the material change. Every year the ribbon draws the edition number.

From the third edition the ribbon stops drawing the saxophone and draws a number: a 3 in 2024, a 4 in 2025, a 5 in 2026. The festival name is always the same, and keeps running along it.

Around it, a different material every year. In 2024 a copper saxophone crumbling away. In 2025 glass drops. In 2026 liquid metal on an orange background. The website changes its background with them: sand, white, orange.

The 3rd edition logo, 2024: the ribbon with the festival name draws a 3 inside a yellow circle
The 4th edition logo, 2025: the ribbon draws a 4 on a yellow background
The 5th edition logo, 2026: the ribbon draws a 5 on a yellow background

The ribbon of the 3rd, 4th and 5th editions.

2024 · 3rd edition

28 August – 1 September · “Non c’è due senza tre”
The 2024 visual: the 3rd edition ribbon next to a copper-coloured saxophone breaking into fragmentsThe 2024 saxophone crumbling into copper fragmentsThe 2024 copper fragments, one by one, used as decorations across the websiteThe 3rd edition ribbon on its own, without the circle, on a sand background

2025 · 4th edition

3 – 7 September · “Il quarto vien da sé”
The 2025 visual: the 4th edition ribbon woven into a glass shapeThe 2025 logo in white on a blue backgroundThe 2025 logo inside a yellow circleA glass drop from 2025, one of the website’s 3D elementsThree glass drops from 2025An elongated glass drop next to a sphere, 2025

2026 · 5th edition

2 – 6 September · with the first Everybody plays saxophone
The 2026 visual: the 5th edition ribbon woven into a liquid metal shape on an orange backgroundThe 2026 logo in white on an orange backgroundThe 2026 logo inside a yellow circleA liquid metal shape from 2026, one of the website’s 3D elementsA liquid metal sphere from 2026

In 2026 the festival also opens a day for everyone: Everybody plays saxophone, on 6 September, to play together with many other saxophonists.

The website · 2022 – ongoing

Where does someone arriving in Treviso with a saxophone find everything?

In a website that changes its skin every edition and always keeps the same order: exhibitors, programme, teachers, guests, venues.

The trevisosaxophonefestival.com website was born with the first edition, in black and gold. Every year it receives the new materials: background colour, logo, visual, copy, programme, teachers, guests, exhibitors, venues, forms.

The structure stays, so returning visitors already know where to look. The programme scrolls day by day. Teachers and guests each have a biography. A round button always spins in a corner of the screen: download the registration form.

Then the finishing touches, edition after edition: a bold word in the home page copy, the line spacing of the programme, the space between one teacher and the next.

2022 · the first skin

Black, white and gold
The 2022 website on a laptop, with the long page folded out like an accordion
The 2022 website on a phone, with the page flowing down past the screen
The 2022 website home page on black: “The 1st edition of the new Treviso International Saxophone Festival is coming”, 6–10 July 2022The 2022 programme on the website, day by day, from Wednesday 6 JulyThe 2022 venues on the website, in black and white: Musei Civici, Chiesa di San Francesco, the Cathedral, Salone dei 300 and more

2024 · sand

The 3rd edition on the website · scroll →
The 2024 website home page on sand: “Non c’è due senza tre” (Third time lucky), 28 August – 1 September 2024The 2024 programme on the website, with a copper fragment at the topThe 2024 teachers and guests on the website, in black and whiteThe 2024 venues on the website, in colour, with the round badge on the photos

2026 · orange

The website today
The 2026 website home page on orange: Treviso International Saxophone Festival, 5th edition, 2–6 September 2026, with the liquid metal visual
The 2026 programme on the website, on orange, starting Wednesday 2 September
The 2026 teachers on the website, cut out in black and white on the orange background
The 2026 venues on the website: Teatro Comunale Mario del Monaco, Salone dei Trecento, Loggia dei Trecento, Auditorium Santa Caterina
The foot of the 2026 website: contacts, artistic direction and the credit design by Opificio Lamantini Anonimi
The 2026 website on a phone: the home page with the festival name, the 5th edition and Everybody plays saxophone
The 2026 website on a phone: dates, visual and exhibitors
The 2026 website on a phone: the scrolling programme
The 2026 website on a phone: the venues

The 2026 website, on desktop and on a phone.

Frequently asked questions

Treviso International Saxophone Festival and Opificio, in short.

Who built the Treviso International Saxophone Festival website?

Opificio Lamantini Anonimi, since the first edition in 2022. The trevisosaxophonefestival.com website is updated every edition with that year’s colour, visual and programme.

What did Opificio Lamantini Anonimi do for the festival’s first edition?

The communication plan for the first edition, in 2022: posters, programme, totems, invitations to the opening concert, tickets and wristbands, T-shirts, tote bags, stickers, social media and website, all in black and gold.

When and where does the Treviso International Saxophone Festival take place?

In Treviso, Italy, every year. The first edition ran from 6 to 10 July 2022, the fifth from 2 to 6 September 2026, with masterclasses, concerts, exhibitions and lectures in venues across the city.

Does Opificio Lamantini Anonimi work with festivals and cultural events?

Yes. Besides the Treviso International Saxophone Festival, it has worked with Euganea Film Festival since 2018 on its logo, art direction and website.

ClientTreviso International Saxophone Festival
ProjectOpificio Lamantini Anonimi
Related servicesBranding · Communication
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